Godzilla and Mothra: The Battle for Earth Review

Written by Barney Buckley

Email Address – bbuckley@triad.rr.com


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Movie Information 

  • Director: Takao Okawara
  • Producer: Tomoyuki Tanaka
  • Japanese Release Date: December 12, 1992, by the Toho Motion Picture Company. Running Time 102 minutes.
  • US Release Date: May 1998, released directly to home video by Columbia TriStar Home Video. Running Time 102 Minutes.
  • Taglines: “My Company Has Destroyed Forests. I Feel Very Guilty.”
  • Alternative Titles: Godzilla versus Mothra 1992, Godzilla and Mothra: The Battle for Earth 1992

Synopsis

A huge meteorite impact in the Pacific Ocean sets off a chain of environmental disturbances and unearths Mothra’s gigantic egg on Infant Island. A greedy developer kidnaps Mothra’s tiny twin fairies better known as the priestesses, and when Mothra’s larva plunders Tokyo trying to rescue them, the military opened fire on the giant insect and she eventually cocoons and wraps itself around the Diet Building. Eventually she emerges as an adult moth as one would call her Mothra. Meanwhile, Battra, Mothra’s legendary nemesis, reawakens in the Arctic and attacks Nagoya, and the battle ensues when Godzilla of actually shows up and down another battle happens undersea with Battra both Godzilla and Battra disappear into the volcano. Eventually Mothra and Battra after battling each other eventually come to their senses and settle their differences and unite against their common Kaiju enemy and that is Godzilla.

What Do I Think of This Movie

There are some good points about this movie one the Godzilla design and to the new evil Mothra called Battra this design larva stage was really really cool? The adult version I do like but not as well as the larva stage. The battle sequences between Mothra, Battra and Godzilla right top in fight scenes within the Heisei Series. The new Cosmos are the names of the new priestesses that you see several times in the Heisei Series. They would change within the Shinsei Series as their new girls. However there are new Alias in the Mothra series they are the new priestesses and all 3 of the rebirth series of movies. I did not see anything within this movie that could pass judgment on Orsay was cheesy it was pretty much spot on with action and the storyline.

Trivia

This film’s origin went back to 1990 with the concept Mothra Vs. Bagan. The film would include battles all across Asia in places like Shanghai and Bangkok. However, when Gojira tai Biorante (1989) failed, Toho blamed the fact that an unfamiliar monster was used and this project was put on hold to give Godzilla another shot with Gojira tai Kingu Gidora (1991).

Continuity

  • Here are some continuities within this film.
  • When Battra first makes landfall, as the terrified Japanese pedestrians are running for their lives, take note of a woman to the right of the screen wearing a brown pant suit and carrying a black purse. She is still running in the next crowd scene on the sidewalk. The next time we see her, she is running up the stairs from the subway, having apparently taken the “A” train to escape the rampaging monster.

Revealing Mistakes

  • Here are some mistakes in a quite obvious within this film.
  • When Godzilla is grappling with Mothra Larva in the sea, right before he throws it, a string is visible on Mothra.
  • When the larva Mothra bites Godzilla’s tail in the ocean, look closely at the base of the tail as it’s tossing Mothra upwards. You can clearly see the tail is a separate prop on some kind of support that has distorted its shape – widening it unnaturally.
  • Strings holding up Mothra and Battra are visible in some scenes. The bright studio lights make them easy to spot against the dark background.

Closing Statements

Some say that this is the worst remake since the original Mothra versus Godzilla 1964 and I don’t totally disagree with them, but because I am a Godzilla fan I do appreciate the remaking of films by giving the monsters a new look and sometimes the storyline and I do mean sometimes turns out to be okay or improve the little bit. The storyline is not the worst. The things I can say that a good are the new monster Battra especially the larva stage great design here. The adult version not the worst I’ve seen but not the best. Mothra she doesn’t changed too much she looks just like a big fluffy butterfly nice and soft. The movie was pretty good for the most part was entertaining I do have the entire collection on hand including all Mothra series, Gamera, King Kong and this list goes on and on. If you haven’t seen any of the Heisei Series movies you might want to check this without if you’re a big Mothra fan or Godzilla fan you get the best of both worlds.

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Mothra vs Godzilla 1964 Movie Review

Written by Barney Buckley

Email Address – bbuckley@triad.rr.com


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Movie Information 

  • Title: Mothra versus Godzilla 1964
  • Actors and Actresses: Akira Takarada, Yuriko Hoshi, Hiroshi Koizumi, Emi Ito. Yumi Ito
  • Directed by: Ishiro Honda
  • Writing credits Shinichi Sekizawa
  • Produced by Tomoyuki Tanaka, Sanezumi Fujimoto
  • Music by Akira Ifukube
  • Stock Music by Hiroshi Miyagawa
  • Cinematography by Hajime Koizumi
  • Film Editing by Ryohei Fujii
  • Production Design by Takeo Kita, Akira Watanabe
  • Assistant Director Koji Kajita
  • Director of Special Effects Eiji Tsuburaya
  • Assistant Director of Special Effects Teruyoshi Nakano
  • Japanese Release Date: April 29th, 1964 with a run time of 88 minutes
  • US Release Date: AIP 1964 with a runtime of 88 minutes
  • Alternative Names: Godzilla Versus the Thing, Godzilla Versus Mothra
  • Taglines: Nothing like This Ever on the Screen!

Synopsis

Mothra’s egg seems to wash off the island and end up on the shore of Japan where a businessman decides to take the egg and try to make some money off of it however Godzilla shows up goes after the egg and Mothra comes and tries to protect her babies only to die in the process and the egg hatches releasing to learn a twins and they chase Godzilla to an island spray them with their web and he falls over into the ocean the end.

What I Liked About The Movie

this movie is perhaps classic in its own way because there were some flaws in this movie and it introduced the larva for the 1st time this movie was good because it had some great battle scenes and some great fight scenes with Mothra. This is a very good movie for classic.

Negative Points

Some points about this movie is the fact that Godzilla’s mouth was not constructed properly so it shackled back and forth loosely however in the next movie they use the same suit and fix that problem. Things I found interesting and obvious to the negative points in the fight scenes with Mothra you can see they used a puppet for Godzilla this is not the worst thing I’ve seen but at the same time it was cool to see something different.

Positive Points

The positive points about the movie are the fight scenes and the way Mothra looked it was a very nice design for back then however she does change through this series and she looks more like a puppet that anything even though this one does in its own way I think this was the best design until 2001 when they came out with the movie Godzilla Mothra King Ghidorah: All Monsters Attack. This design is the best so far in my humble opinion.

Closing Statement

The movie is worth watching and if you’re a Godzilla fan anyway you want to deftly at this one to your collection the storyline in this movie is pretty much typical for its time we have people stealing the egg and using a for profit and the twins say please return the egg and a big monster fight ensues towards the end Godzilla loses and Mothra loses because he dies in the movie and the twin larva swim off to the island. It is a very good movie definitely not too cheesy as compared to a lot of them that I have seen.

The Rebirth of Mothra III 1998 Movie Review

Written by Barney Buckley

E-Mail Address- bbuckley@triad.rr.com


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Moll, Lora, and Belvera, the Elias sisters, are at odds again. Belvera seeks the secret power of their ancestors, tiny triangular power units that transform the sisters’ small daggers into powerful swords. She steals the three units from Infant Island but is thwarted by Fairy Mothra, Moll and Lora’s pet, and fails to retrieve the proper triangle for her sword (each power unit will only work for a specific sword). Moll and Lora end up with a unit that transforms Moll’s sword.

Shortly after the Elias sisters face-off, a meteor shower brings to Earth a huge meteor that disrupts gravity near it at night, as a family watches. The next day, the oldest of the children, a teenage boy called Shota, plays hookey from school, and goes to investigate the object. Meanwhile, school children on playgrounds and around the nearby city begin to mysteriously vanish as a huge shadow passes overhead. Moll and Lora examine the remains of the crashed meteor, discovering the essence of dinosaurs, and realizes that a great evil has been released. King Ghidorah, a three-headed space monster who visited Earth in its past and thought to be responsible for the destruction of the dinosaurs, returns with the captured children to a secluded spot near where the meteor crashed, trapping them in a huge, pulsating organic dome.

Thankfully, at Moll and Lora’s calling, Rainbow Mothra arrives and begins to battle King Ghidorah, but the three headed demon’s ancient powers render all of Mothra’s attacks useless and the King of Terror proceeds to easily dominate Rainbow Mothra, who only just escapes. Later, Moll and Lora encounter Ghidorah, who infects Lora with its evil by staring into Lora’s eyes. Under Ghidorah’s spell, Lora attacks Moll and attempts to drag them both into the dome. However, Fairy Mothra flies down towards the dome and saves Moll before she falls into it. Belvera, intrigued by Ghidorah’s arrival, gets too close to the dome and is dragged inside with her pet henchmen, Garu-Garu, by little serpent beings. The monster then wreaks havoc in the city.

Meanwhile Moll and Fairy Mothra encounter Shota, who discovered that his brother Shuehei and sister Tamako are among the many children trapped inside the dome. Moll tells Shota about Ghidorah’s plan to use the children’s life force to feed upon. She convinces him to accompany her and meet their only hope, the recovering Rainbow Mothra. Moll and Rainbow Mothra communicate telepathically, discussing their options. It is agreed that Rainbow Mothra cannot defeat Ghidorah in its current form and so it is decided that he must travel to a time when the dinosaurs still walked the Earth, and when the three-headed dragon had visited from space for the first time, then less powerful, to feed upon the Earth’s life-force. Rainbow Mothra turns into AquaMothra and, with Moll giving the creature all of her powers, the massive insect turns into Light Speed Mothra and breaks through the boundaries of time and travel to confront Ghidorah, some 65 million years in the past.

Moll gives Shota her sword and asks him to go inside the dome to find Lora, and to convince her to use her powers to help Mothra. After Shota reluctantly agrees, Moll languishes and, with her powers totally depleted from helping Mothra time-travel, falls into a state of suspended animation, her body taking on the appearance of frosted glass. Shota allows Ghidorah to capture him so he can find Lora in the dome. There, Lora encounters a worried Belvera, who tells her that Ghidorah plans to destroy the Earth. Lora takes the triangular unit that Belvera had and uses it to transform her sword. Still under Ghidorah’s spell, the two fairies engage in a swordfight, with Belvera begging Lora to see reason and to work with her, but to no avail. Shota finds Lora, but she attacks him and attempts to stab him with her sword. Belvera warns Lora not to do it as Shota reminds her that she loves children deeply. Soon, Ghidorah’s spell breaks and Lora falls into Shota’s hands, her sword then combining with Moll’s. Belvera finally realizes that the Alias triangle represents the three of them, uses the last remaining triangular unit to transform her sword, and then combines her sword with both Lora’s and Moll’s. Using the new superpower sword, she attempts to break open the dome as Lora recovers.

Light Speed Mothra appears in the age of the dinosaurs and turns back into Rainbow Mothra. Another fight between her and Ghidorah takes place. After originally holding the advantage, Rainbow Mothra is badly wounded. The dome shakes violently and realizing that Rainbow Mothra is losing the battle, Shota asks Lora to use her powers to help the creature. As Lora sings, Rainbow Mothra energizes and manages to immobilize Ghidorah long enough to pick it up and drop it into a nearby volcano, but not before a severed piece of Ghidorah’s tail burrows itself into the ground. The volcano erupts with Ghidorah in it, destroying the monster. Rainbow Mothra is hurled out of the exploding volcano, crashes to the ground and fades away.

Back in the present time, Ghidorah and the dome disappear, freeing the children and the fairies. Shota reunites with Shuehei and Tamako and they join Belvera and Lora as they sadly kneel by the body of Moll, unsure of how they can save her. Back in the past, three Primitive Mothra larvae arrive and wrap the body of Rainbow Mothra in a time-capsule cocoon. Back in the present, Belvera expresses concern to Lora, noting that if Ghidorah is really destroyed, the current course of events would have changed. Suddenly, Ghidorah appears in the sky amidst a massive fireball. This is the other Ghidorah which grew from the severed tail of the creature killed by Rainbow Mothra in the past. The new Ghidorah starts to capture children again. Meanwhile, Belvera convinces Lora to join her in battle, and the two distracts Ghidorah with Fairy Mothra.

Suddenly, the time-capsule cocoon explodes from a mountain and Rainbow Mothra emerges, this time as Armor Mothra, a formidable version with armour plating all over it. Another battle takes place, and this time, Ghidorah is no match for his opponent, who slices Ghidorah’s wing off and then disintegrates the monster. Armor Mothra then communicates with Belvera and Lora, telling them to join their powers and, using the sword, to bring Moll back to life. The fairies do as they are told and, as a result, the sword vanishes and Moll revives, as Lora and Belvera smile. The touching reunion between the three sisters is short-lived, as Belvera calls for Garugaru and flies off. All the children are released once again and reunited with their parents. Shota, Shuehei, Tamako and their parents watch as Moll and Lora ride away with Fairy Mothra, and Armor Mothra, now transformed as Eternal Mothra, flies into the sunset.

All in all in my humble opinion this is the best of all three simply because it has two of my favorite Kaiju’s and the most bad ass of all Godzilla enemies and that is Grand King Ghidorah. In my humble opinion this is the best design of King Ghidorah that I have ever seen and yes I think it’s better than Kaiser Ghidorah as some people think that is a good design and it is not. The original King Ghidorah is my second favorite looking design especially the hair around its neck you don’t see that on any other King Ghidorah designs. All in all I thoroughly enjoyed this even though there were some elements I didn’t care for and the one thing I didn’t care for was the fact that King Ghidorah likes to collect up kids.

It just seemed odd because King Ghidorah is a destroyer of worlds not a collector of children. That’s just my opinion. Armor Mothra another very cool concept I felt I was very cool when Mothra went into the past to fight Cretaceous King Ghidorah and he was very cool look to. I did like this design a lot. Went back to modern day Grand King Ghidorah somehow manages to survive simply because Cretaceous King Ghidorah lost his tail and back into the modern times he made it back again only this time the Grand King Ghidorah had to handle and deal with armor Mothra which eventually destroyed Grand King Ghidorah. Very cool movie!

The Rebirth of Mothra II 1997 Movie Review

Written by Barney Buckley

E-Mail Address- bbuckley@triad.rr.com


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Off the coast of Japan, the environment has been ravaged with poisonous starfish-like creatures called Barem. Meanwhile, the Elias sisters, Moll and Lora, survey the destruction and enlist the help of three children, who had just discovered and befriended a strange little creature dubbed “Ghogo” to help find the mysterious treasure of Ninai Kanai, an ancient lost civilization, to save the Earth from the declining environment.

The Elias then tell the children that the people of Ninai Kanai created a monster called Dagahra as a method of pollution management gone awry and only Mothra Leo can stop it; however, he will need the help of the lost castle of Ninai Kanai itself and the mysterious treasure within. Belvera, the evil Elias sister, manipulates two fishermen and wants the treasure of her own. They all journey to the lost castle, hidden beneath the ocean waters and it magically rises out of the water after the travelers discover it.

Dagahra, awakened after a sudden increase in pollution levels, then releases a swarm of Barem into the sea, killing many types of sea life. Moll and Lora calls Mothra Leo, who nearly succeeded in defeating Dagahra, until the sea monster took the battle underwater where it was in its element. Dagahra incapacitated Leo by covering him with Barem. Leo landed on the newly raised Ninai Kanai temple, but before Dagahra could give the killing blow, the structure activated and defended Leo. With Leo covered in Barem and powerless, Dagahra goes on a destructive rampage.

Inside the temple, Moll, Lora and the three kids attempt to find the treasure, while Belvera and the two controlled fishermen try to thwart their mission. After stealing some jewels they’ve found, the fishermen inadvertently unlock a gateway and awaken the Princess of Ninai Kanai. The Princess tells the three Elias sisters that Earth must be protected and saved, that the children are the hope of future generations and reveals that Ghogo is the lost treasure.

Moll and Lora then use Ghogo’s energy to revive Mothra Leo and, as a result, turn the hero into Rainbow Mothra. Leo was then able to destroy the Barem covering his body. After taking a severe beating, Dagahra once again retreated into the water, where Rainbow Mothra turned into Aqua Mothra. This time Rainbow Mothra’s new form allowed him to overpower the sea monster. He finally finishes his battle with Dagahra by splitting into thousands of miniature Aqua Mothras; entering Dagahra’s body and destroying the Barem producing there, and without the Barem, Dagahra self-destructs. Meanwhile, the temple begins to collapse. With the building crumbling over them, Moll and Lora ride onto Fairy to safety, while Belvera releases control of the fishermen, who helps the children escape. The Princess raises Dagahra’s body and drops it onto the temple, reducing everything into a wave of water. Aqua Mothra then returns to his single form, and then back into Rainbow Mothra; saving the world once again.

Once again we have a film within the Mothra trilogy series that regards is perhaps the best one of the bunch in the way of new Kaijus as well as action and sequences. This one is very colorful and some general way and I particularly like the fight scenes as well as the Kaiju they call Dagarla this is a very neat Kaiju and this movie is well worth watching if you like Mothra and a child friendly environment.

The Rebirth of Mothra I 1996 Movie Review

Written by Barney Buckley

E-Mail Address- bbuckley@triad.rr.com


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It would be served after the Heisei Series of Godzilla movies would end in 1995 the Toho Company would then eventually pick up the triple threat of Mothra. It seems that the Toho Company’s second most favorite Kaiju deserved a few movies in her own right. The very first film according to the Japanese was logically titled Mothra however while in the United States of America it was retitled as the Rebirth of Mothra. When it comes to this film most of the original fans of the original film that came out in 1961 film this new movie particularly strayed away from the original character of Mothra. The reason I say this is because she is classified as a protector of her own island and its people. She is also classified as a kind and benevolent law and it largely focuses on Mothra’s character which is a particularly good point to the film. People do not see that in the Mothra trilogies.

Let’s begin with the story the story begins on Infant Island where you see Mothra sitting on her throne and she is ready to finally reproduce after living a very long life. It would be shortly after this that a logging company located in Hokkaiido Japan accidentally discovers an ancient rock and all hell breaks loose. They pry the rock of its seal and suddenly it draws the attention of two tiny priestesses they call Moll and Lora. In the original movie that came out in 1961 there were tiny little twin priestesses, but they were called Shobijins and in the new Mothra trilogy there called the Elias. They summon their tiny version of Mothra in which they call it Fairy Mothra and they take off to Hokkaido to investigate an unusual accident. It is revealed to the Elias that a small piece of metal was removed from the rock and it was called The Seal of Elias. It was a device that possessed the ability to harness certain energies which was created by their ancestors to lock away the demonic Kaiju they call DesiGhidorahs. That very same creature that actually made the dinosaurs go extinct and left the surface of the planet Mars a barren wasteland is located within this rock.

The Elias Moll and Lora have a third evil sister they call Belvera and she suddenly steals the seal from the tiny girl Wakaba. Belvera manages to release the ancient beast from his dungeon and all hell breaks loose. The Elias know they have to summon Mothra and they do it with song. Mothra eventually shows up and after a long battle she eventually dies saving her children from Desighidorah only to sink into the depths of the sea sacrificing herself. It is after witnessing her mother’s death that the Mothra larva that is called Mothra Leo swims to Yaku Island and hopes to gain the power of The Ancient Tree of Life. Is there that Mothra Leo is transforms into an adult Mothra and a more powerful Mothra that holds off Desighidorah long enough for the Elias to seal the monster all back where she came from. After the battle has been won it is Mothra Leo that eventually flies back to Infant Island.

In the 1992 film Godzilla versus Mothra is there that Mothra’s reputation of the “Savior of the world” is reestablished and it makes Mothra was character little bit more interesting as the film betrays a more emotional part of the film worthy elderly Mothra’s death scene is more emotional. It can be a real tear jerker if you really sensitive. Especially when it comes to the second most popular Kaiju’s death. Another notable thing about this new Mothra movie is the new powers that Mothra Leo seems to possess it has the same powers as its Heisei Series predecessor that fought Godzilla in 1992 and it also features some new little abilities. Mothra Leo has a silken spray, chest beam, and a camouflaging technique. It is said that the original Mothra fans for the movie Mothra 1961 are not really big fans of this new Mothra was sheer power in regards of its numerous amount of beams and energy abilities.

Now we will talk about Desighidorah in the English translation is called Death Ghidorah and it is probably one of the most serious demon like Ghidorahs to ever hit the movie screen. It is in the family of Ghidorahs and it is revealed that it is a demon from space that goes around siphoning the floral life out of various worlds. When he came to the planet Earth he was fortunately sealed by one of the ancient Mothra was and the Elias ancestors before he could completely destroy the planet as he did to the planet Mars. This particular Kaiju is really displayed as a dark and fiendish creature, and is actually the very first Hedorah ever to walk on all four legs. I’m still the movie Godzilla Final Wars where Kaiser Ghidorah also lost on four legs. Kaiser Ghidorah reminds me of Desighidorah on steroids.

Despite having any flaws with the human characters is the Elias Moll, Lora and Belvera that actually steal the show. These particular characters according to the movie is Moll that wants to save the world from Desighidorah even if it means taking her own life. Lora is extremely sensitive and doesn’t want Mothra to fight and die in the process yet she wants the world to be saved and asked for Belvera she wants to use Desighidorah as a weapon to destroy humanity. On the note is an interesting fact that the Elias were virtually against Belvera and it also displayed that they still love each other and respect each other as sisters.

In my humble opinion what really stands out in this film is probably the musical score composed by Toshiyuki Watanabe. The various themes for Mothra such as the battle march when Mothra first appears to battle Desighidorah is pretty extreme and unique in itself and very memorable. One keynote about the score is the original Mothra song is performed by the Elias is very modern and crisp sounding. If you listen to it and had a very Latin beats in the way it sounds and it’s very addicting. Even though it does not have a real strong connection to the original Mothra film is very memorable and very enjoyable to watch over and over if you like this particular kind of child friendly movie. The rebirth of Mothra is a very nice addition to the concept of Mothra was peace/environment character and hopefully it will continue to be contagious as well as protect the environment and how they betray this particular character.

Mosura 1961 Movie Review

Written by Barney Buckley

Email Address – bbuckley@triad.rr.com


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This movie is typical of Toho to create in the way of a great story and unimaginable effect for it’s time with great directing. You have a triple threat here first the story is created by Shinichi Sekizawa and the special effects by Eiji Tsuburaya who did a lot of the Godzilla movies so he is seriously connected with the Toho Company. This movie is directed by one of the greatest directors of Godzilla film industry his name is Ishiro Honda.

Thus is the beginning of the movie you hear a bewitching serene song by the Mothra twins and they are called The Peanuts they are identical twins who sang beautifully when they needed or connected with Mothra telepathically. In this movie we see a businessman who is very much interested in the tiny superstars and tries to kidnap them. However Mothra’s larvae isn’t too happy with Tokyo as it crashes through the city to search for the twins thus an eventful times the larva is beginning to transform into a new stage of moth so while in the city it forms a cocoon around The Diet Building and eventually a new monster pops out of this cocoon. This to me was one of the better parts of the movie because of the special effects and if you never seen the movie before it is actually pretty cool to see Mothra squeeze her way out of this cocoon. She eventually squeezes out with her gigantic wingspan she wreaks havoc across the city.

They eventually find the twins and all as well for Mothra she eventually returns to the airport where they created a sign painted on the air strip having her to descend on the airport and then eventually taken back off to go back to the island. This is one of the better movies simply because it is not too far-fetched as it is today or having a cheesy feel about it they had a really strong start for a movie that would transpire into three other movies for Mothra.

Mothra is perhaps in the top three of the most popular kaiju that Godzilla has fall or within the Toho monster series. Here are some trivia for you there was supposedly a scene in which the Mothra twins or fairies plan on explaining Mothra’s origins but the company felt it was too long and dropped from the final draft. Here is a mistake in which she was see in the movie when Dr. Shinichi is showing the symbols he discovered in the cave to Sechan, you could see someone in black pants and shoes walking down the stairs behind Sechan’s head. So if you want to say a decent movie is obviously in black and white this is a very good movie for its time.

Gamera: Little Brave 2006 Movie Review

Written by Barney Buckley

Email Address – bbuckley@triad.rr.com


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Movie Information 

  • Directed by Ryuta Tasaki
  • Studio Kadokawa Pictures
  • Distributed by Kadokawa Pictures
  • Release Dates April 29, 2006
  • Running Time 96 Min.

Synopsis

Precipitated by the premise that Gamera self-destructed to destroy several Gyaos in 1973, the tale picks up thirty three years later, when the son of one of the survivors of that incident finds an unusual egg, from which a baby turtle hatches.

The boy, Toru, raises the creature, quickly realizing it as remarkable in that it hovers and breathes fire. The creature quickly outgrows the house, is relocated by Toru and his friends to maintain secrecy, and then disappears.

Concurrently, many shipping disasters occur in the area, the cause of which is the Kaiju Zedus (ジーダス), which soon thereafter rampages through the city.

It corners Toru and his friends, but the boy’s former pet, now significantly larger, intercedes. The young Gamera is wounded in the fight and captured by government officials, who hook the creature up to a machine which infuses it with liquid derived from mysterious red stones found in the vicinity of egg, and which scientists theorize gives Gamera’s their power.

Zedus attacks again, and the Gamera, now larger, goes out to battle him. The human characters determine that the still-immature Gamera must consume the red stone which Toru had found with the egg in order to fully realize its powers. The egg is located and, with some difficulty, delivered to Toru, who throws it into the Gamera’s mouth during the battle.

The Gamera’s power of rocket-propelled flight manifests, and it defeats Zedus by breathing a fireball at it. The Kaiju escapes further government investigation with Toru’s assistance, and flies off as the boy wishes him farewell.

What I like about That Movie

Let’s just say that this is not one of my favorite movies and that is because they reverted back to a cheesy movie. Don’t get me wrong I don’t really dislike this movie, but honestly ensure continued with the Heisei Series with that kind of seriousness. I understand that they need to concentrate these movies on children as well I get that things I like about this movie is it one scene where you see little Toto he is crawling around on the kitchen floor and a cleaver falls and almost catching him in the head it blows fire on) then you know it’s Gamera it is as you can see the cleaver is reminiscence of Guiron from the Showa series movies. Another thing I like is when Gamera gets bigger he does have a nice look for a turtle.

And you can see in his eyes and his face is very friendly not like that Gamera three. He doesn’t have all of his powers until he swallows a Redstone. Zedus is one of those monsters that does not impress me because I think he is rather boring it away and not as much of a threat as the monsters in the past that Gamera deal with. I think it is because Toto or Gamera is still a baby here so the actual monster does not need to be threatening.

The design of Zedus is cool and he is lizardlike. What I didn’t like about the movie was the fact that it is child friendly that’s a little something to do with it. What really determine how about the movie is this first year old Gamera that design is a no no. It is absolutely horrible what they did to Gamera and what upsets me most about this is Gamera does not have his signature roar. Big mistake there.

Closing Statement

If you are into childhood friendly Gamera thing going and what this movie it really isn’t that. He does growing in stages so his design does change throughout the movie, but if you appreciate the Heisei Series Gamera movies and guess what you will be seriously disappointed in this movie. If you like the serious side of Gamera stay away from this one.